Switching Gears

While waiting to hear back from Jen Goodwin on the Contrast Color Wheel, I needed another counted project to work on when I didn't want to do something complicated. I decided to pull out the whitwork sampler. 

It took a while for me to complete the fifth band. It's more complex than the previous four and I only pulled it out every once in a while. Usually for evening stitching with the guild.

I took the opportunity to take a picture of the overall piece. My fabric is all wrinkly as it's been on q-snaps for months. I think this is my favorite motif to date.

I'm still writing the posts for how I finished the Poppy Pouch. It will be in three posts, I have two completed and I'm procrastinating on the third one as I still need to take pretty pictures of the finished product. I need my sister to take the pictures for me but so far the timing hasn't been right. I'm hoping I'll have them by next weekend.

October TUSAL

  

This month's TUSAL report features lots and lots of white from the English whitework sampler. Not very visible in this picture but there are also some thin strands of gold from the Armillary Sphere. I'll post my update on that piece very soon, but in the meantime here's my sampler. You can't really see the first band, but there are four of them stitched so far.

FYI, the aida is not for me. My sister wanted to do some cross stitching and purchased a kit from one of those Chinese website. It came with some horrible 11ct aida and I convinced her to switch it for a higher count fabric. I helper her set up and needed to trim the edges to make sure they were all straight.

English Whitework Sampler - New Start

 The last two months were hard, especially after work as I never seemed to want to do anything. It took me a while to realize that I didn't have a single counted project on the go. It's all surface embroidery. So I went hunting in my stash photo album. I take pictures of all the stash I buy as it makes blogging about them later easier.

I completely forgot I picked up and kitted the English Whitework Sampler when I visited Traditional Stitches in Calgary back in 2019. I bought a lot of stash that year during my work trips. Anyways, this design is by Darlene O'Steen, the author of the book The Proper Stitch. An excellent book by the way if you like samplers. I don't own a copy as I'm not really into samplers, but I've had my eye on this whitework piece since it came out in 2011.

Some technical information as I will be asked, I'm stitching mine on 40 ct Newcastle Linen with #12 perle cotton and #80 special dentelle tatting thread in B5200.

I popped the pattern sheets in protective sleeves and into a binder to keep everything tidy, and then measured and cut my fabric. However, before I get to stitching, I wanted to put in some guidelines as I won't be stitching from the center out. I wanted to start from the top left, so I first put in the vertical and horizontal center lines (going over and under 4 threads). I also put in lines to define the sides and the top of the sampler.

Each row is surrounded by dividing band of four-sided stitches. I've been stitching them as I go and filling in the areas. 

The third row is all done in satin stitch. You'll notice I skipped the second row. As this is a sampler, it has the typical row of alphabet. I already know my ABCs and have no interest in stitching them. Instead I will fill that space with a quote, which I will do later as I'm still trying to figure out spacing and whether I want to stitch it over 1 or 2 threads.

As you get closer and closer to the end of the sampler, the rows start getting more and more complex. In the third row, there is a bit of cutwork to do.

Regardless, I won't be doing any cutting until I've completed the entire piece. Which means once I'm done I will be revisiting parts of the sampler to really finish it.